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Janet Jackson Concert Unbreakable Best Tour Tickets Sprint Center Kansas City in Joplin, Missouri For Sale

Type: Tickets & Traveling, For Sale - Private.

JANET JACKSON UNBREAKABLE TOUR TICKETS
Janet Jackson Tickets
Sprint Center
Kansas City, MO
Tuesday
10/27/xxxx
7:30 PM
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We offer a wide assortment of tickets offered by each hosting venue. The assortment of concert tickets offered by each hosting venue differs. Depending on the venue this might include the best Presale Concert Tickets, Fan Packages, Vip Tickets, Field Concert Tickets, Upper & Lower Balcony Tickets, Orchestra Tickets, Pit Tickets, Loge Tickets, Mezzanine Tickets, Lawn & General Admission Concert Tickets, SandBar Tickets, Meet and Greet Tickets, and all premium seating options made available.
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Updated Janet Jackson Concert Tickets Unbreakable xxxx & xxxx Tour
Janet Jackson Tickets Unbreakable Tour!
Janet Jackson Tickets
Scotiabank Saddledome
Calgary, Canada
Wednesday
9/2/xxxx
8:00 PM
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Rexall Place
Edmonton, Canada
Friday
9/4/xxxx
8:00 PM
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Revolution Place
Grande Prairie, Canada
Saturday
9/5/xxxx
7:30 PM
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SaskTel Centre
Saskatoon, Canada
Monday
9/7/xxxx
7:00 PM
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Van Andel Arena
Grand Rapids, MI
Friday
9/11/xxxx
8:00 PM
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PNC Pavilion At The Riverbend Music Center
Cincinnati, OH
Saturday
9/12/xxxx
8:00 PM
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Air Canada Centre
Toronto, Canada
Tuesday
9/15/xxxx
8:00 PM
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Walnut Creek Amphitheatre
Raleigh, NC
Thursday
9/17/xxxx
8:00 PM
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PNC Music Pavilion - Charlotte
Charlotte, NC
Friday
9/18/xxxx
8:00 PM
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American Airlines Arena
Miami, FL
Sunday
9/20/xxxx
8:00 PM
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Amway Center
Orlando, FL
Wednesday
9/23/xxxx
8:00 PM
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Amalie Arena
Orlando, FL
Thursday
9/24/xxxx
8:00 PM
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Chastain Park Amphitheatre
Atlanta, GA
Saturday
9/26/xxxx
8:00 PM
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Ascend Amphitheater
Nashville, TN
Sunday
9/27/xxxx
8:00 PM
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Fedex Forum
Memphis, TN
Tuesday
9/29/xxxx
7:00 PM
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Smoothie King Center
New Orleans, LA
Wednesday
9/30/xxxx
8:00 PM
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Bill Graham Civic Auditorium
San Francisco, CA
Tuesday
10/13/xxxx
8:00 PM
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Bill Graham Civic Auditorium
San Francisco, CA
Wednesday
10/14/xxxx
8:00 PM
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The Forum - Los Angeles
Inglewood, CA
Friday
10/16/xxxx
8:00 PM
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Viejas Arena At Aztec Bowl
San Diego, CA
Saturday
10/17/xxxx
7:30 PM
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Comerica Theatre
Phoenix, AZ
Monday
10/19/xxxx
7:00 PM
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Santa Barbara Bowl
Santa Barbara, CA
Wednesday
10/21/xxxx
7:00 PM
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Santa Barbara Bowl
Santa Barbara, CA
Thursday
10/22/xxxx
7:00 PM
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EnergySolutions Arena
Salt Lake City, UT
Saturday
10/24/xxxx
7:00 PM
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Pepsi Center - Denver
Denver, CO
Sunday
10/25/xxxx
8:00 PM
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Sprint Center
Kansas City, MO
Tuesday
10/27/xxxx
7:30 PM
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Chaifetz Arena
Saint Louis, MO
Thursday
10/29/xxxx
8:00 PM
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Target Center
Minneapolis, MN
Sunday
11/1/xxxx
8:00 PM
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The Chicago Theatre
Chicago, IL
Tuesday
11/3/xxxx
8:00 PM
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The Chicago Theatre
Chicago, IL
Wednesday
11/4/xxxx
8:00 PM
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The Chicago Theatre
Chicago, IL
Friday
11/6/xxxx
8:00 PM
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Neal S. Blaisdell Center - Arena
Honolulu, HI
Thursday
11/12/xxxx
8:00 PM
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Neal S. Blaisdell Center - Arena
Honolulu, HI
Friday
11/13/xxxx
8:00 PM
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Neal S. Blaisdell Center - Arena
Honolulu, HI
Sunday
11/15/xxxx
8:00 PM
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Moda Center at the Rose Quarter
Portland, OR
Tuesday
1/12/xxxx
8:00 PM
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Honda Center
Seattle, WA
Saturday
1/16/xxxx
8:00 PM
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Tucson Arena
Tucson, AZ
Tuesday
1/19/xxxx
8:00 PM
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AT&T Center
San Antonio, TX
Thursday
1/21/xxxx
8:00 PM
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Toyota Center - TX
San Antonio, TX
Saturday
1/23/xxxx
8:00 PM
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American Airlines Center
Dallas, TX
Sunday
1/24/xxxx
8:00 PM
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Quicken Loans Arena
Cleveland, OH
Tuesday
2/2/xxxx
7:30 PM
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Palace Of Auburn Hills
Auburn Hills, MI
Friday
2/5/xxxx
8:00 PM
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Consol Energy Center
Pittsburgh, PA
Saturday
2/6/xxxx
8:00 PM
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Prudential Center
Newark, NJ
Wednesday
2/17/xxxx
8:00 PM
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Sands Bethlehem Event Center
Bethlehem, PA
Friday
2/19/xxxx
8:00 PM
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Barclays Center
Brooklyn, NY
Monday
2/22/xxxx
8:00 PM
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Wells Fargo Center - PA
Philadelphia, PA
Wednesday
2/24/xxxx
8:00 PM
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TD Garden
Boston, MA
Friday
2/26/xxxx
8:00 PM
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Royal Farms Arena
Baltimore, MD
Monday
2/29/xxxx
8:00 PM
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Verizon Center - DC
Washington, DC
Tuesday
3/1/xxxx
8:00 PM
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Philips Arena
Atlanta, GA
Thursday
3/3/xxxx
8:00 PM
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Lawrence Joel Veterans Memorial Coliseum
Winston Salem, NC
Friday
3/4/xxxx
8:00 PM
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Colonial Life Arena
Columbia, SC
Sunday
3/6/xxxx
8:00 PM
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Jacksonville Veterans Memorial Arena
Jacksonville, FL
Tuesday
3/8/xxxx
8:00 PM
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BB&T Center
Sunrise, FL
Wednesday
3/9/xxxx
8:00 PM
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fiction: and though the popular taste itself was evidently ceasing to be satisfied with these morsels and demanding a substantial joint, yet the substance was, after all, the same. We rise higher, if not very high, with the novels of Mrs. Eliza Haywood (xxxx?xxxx), one of the damned of the Dunciad, but, like some of her fellows in that Inferno, by no means deserving hopeless reprobation. Every one who has devoted any attention to the history of the novel, as well as some who have merely considered it as a part of that of English literature generally, has noticed the curious contrast between the earlier and the later novels of this writer. Betsy Thoughtless (xxxx) and Jemmy and Jenny Jessamy (xxxx) could, without much difficulty, be transposed into novels of to?day. Idalia (xxxx) is of an entirely different mood and scheme. It is a pure Behnesque nouvelle, merely describing the plots and outrage which ruin the heroine (The Unfortunate Mistress is the second title), but attempting no character?drawing (the only hint at such a thing is that Idalia, instead of being a meek and suffering victim,
is said to have a violent temper), and making not the slightest effort even to complete what story there is. For the thing breaks off with a sort of "perhaps to be concluded in some next," about which we have not made up our minds. Very rarely do we find such a curious combination or succession of styles so early: but the novel, for pretty obvious reasons, seems to offer temptations to it and facilities for it. For Idalia's above?named juniors, while not bad books to read for mere amusement, have a very particular interest for the student of the history of the novel. Taken in connection with their author's earlier work, they illustrate, for the first time, a curious phenomenon which has repeated itself often, notably in the case of Bulwer, and of a living novelist who need not be named. This is that the novel, more almost than any other kind of literature, seems to lend itself to what may be called the timeserving or "opportunism" of craftsmanship--to call out the adaptiveness and versatility of the artist. Betsy and Jenny are so different from Idalia and her group that a critic of the idle
Separatist persuasion would, were it not for troublesome certainties of fact, have no difficulty whatever in proving that they must be by different authors. We know that they were not: and we know also the reason of their dissimilarity--the fact that Pamela and her brother and their groups ont passe par la.[9] This fact is most interesting: and it shows, among other things, that Mrs. Eliza Haywood was a decidedly clever woman. [9] The elect ladies about Richardson joined Betsy with Amelia, and sneered at both. At the same time the two books also show that she was not quite clever enough: and that she had not realised, as in fact hardly one of the minor novelists of this time did realise, the necessity of individualising character. Betsy is both a nice and a good girl--"thoughtless" up to specification, but no fool, perfectly "straight" though the reverse of prudish, generous, merry, lovable. But with all these good qualities she is not quite a person. Jenny is, I think, a little more of one, but still not quite--while the men and the other women are still less. Nor had Eliza mastered that
but very little of his constructive grasp of life. David Simple (xxxx), her best known work, the Familiar Letters connected with it (to which Henry contributed), and The Governess display both the merit and the defect--but the defect is more fatal to a novel than the merit is advantageous. Once more--if the criticism has been repeated ad nauseam the occasions of it may be warranted to be much more nauseous in themselves--one looks up for interest, and is not fed. "The Adventures" of David--whose progeny must have been rapidly enriched and ennobled if Peter Simple was his descendant--were "in search of a Friend," and he came upon nobody in the least like O'Brien. It was, in fact, too early or too late for a lady to write a thoroughly good novel. It had been possible in the days of Madeleine de Scudery, and it became possible in the days of Frances Burney: but for some time before, in the days of Sarah Fielding, it was only possible in the ways of Afra and of Mrs. Haywood, who, without any unjust stigma on them, can hardly be said to fulfil the idea of ladyhood, as no doubt Miss Fielding did.